多媒材現代畫 Multimedia Modern Painting

東方繪畫與西方複合媒材的融合 ─ 東方與西方繪畫的新結晶

The Fusion of Oriental painting and Western mixed-media

─ The new crystallization of oriental and western painting

Huang used Mixed-media to paint landscape, flower and animal motif works. He took particular joy from painting lotuses and sunflowers. The spirit of the lotus, growing out of mud pure and untainted, symbolizes purity and for Buddhists is a sacred flower used to expound Buddhist teachings and convey Zen Buddhist meaning. The sunflower brilliant like sunlight, blooming like a smile, symbolizes light and passion.

The unique “Mental Imagery School of abstract painting technique” created by Huang broke with the tradition of painting lotuses on paper, preferring instead to use a special canvas, Western media and painting tools. He fused Eastern and Western painting techniques and media to create artworks with lotuses. He also utilized the rendering technique with its distinctive effect and ease of preservation to imbue lotus flowers with new meaning.

        黃歌川用複合媒材，創作以風景、花卉、動物等為題材的東方繪畫。他特愛畫荷蓮與向日葵。荷蓮出污泥而不染之精神，象徵聖潔，在佛家奉為聖花，用以闡揚佛法，傳達禪意。向日葵象徵光明與熱情，像陽光般的燦爛，像微笑般的綻放。    

        黃歌川獨創「心象派抽象畫法」，打破在紙上繪荷蓮的傳統，改用特殊畫布及西洋媒材畫具，將東方與西方繪畫技法與媒材融合，創作出中西合璧的荷蓮等多媒材作品，效果奇特，清新脫俗，百看不膩，形成新象。